Network plays Chamber Concerto

Network for New Music gave an excellent performance last night of my Chamber Concerto. This is not an easy piece – I wrote it for the hyper-virtuosi of Speculum Musicae, with Allen Blustine as clarinet soloist – but the Network ensemble pulled it off in style. Soloist Ben Fingland had full command of the part, not only the rapid flurries of notes, but the most delicate nuances, including some uncannily soft high register tones. The players relished the jazzy parts of the last movement. My one small regret was that I don’t feel I tweaked some of the synthesizer patches quite properly; Linda Reichert covered the part just fine, but if the piece is done again I would make some of the patches a little more resonant, with longer decays and capable of a wider dynamic range. Besides Ben and Linda, the players were Paul Arnold, violin; Tom Kraines, cello; Mary Javian, double bass; Christopher Deviney, percussion; and Charles Abramovic, piano, with Jan Krzywicki conducting.

The other works on the program were performed to the customary high Network standard – Paul Arnold’s violin was alternately dancing and lyrical in Judith Shatin‘s Penelope’s Song; Hirono Oka, Burchard Tang and Thom Kraines were an exceptionally refined string trio in Paul Lansky‘s As If. (It’s odd to realize that I was a tech person for the premiere of the Lansky in 1981 at Columbia University – “tech” only in the sense of being assigned to move speakers around.)  Arne Running gracefully commanded the sleight-of-hand narrative of Mario Davidovsky‘s clarinet Synchronisms.

Network’s Third Space festival continues, with programs at Temple U on Sunday night, at Community College of Philadelphia on Monday, and with a reprise of the Sunday program at Haverford College on Friday. Read more details at the Network website.

In addition to tomorrow’s Network concert, you will want to be present for the premieres of works by Melinda Wagner and Richard Brodhead at Marcantonio Barone’s piano recital this Sunday, sponsored by the Philadelphia Chamber Music Society, and presented at the American Philosophical Society in Philadelphia.

Upcoming in Philly and NYC

– March 18 – soprano Mary MacKenzie (of SongFusion) performs with Shuffle Concert this Friday, March 18 at Baruch College. It’s a nice idea – the audience picks the program on the spot!

-March 19 and 20 – Orchestra 2001 plays Hindemith, Berio and Roberto Sierra. Julianne Baird, soprano; Marcantonio Barone, piano, Lori Barnett, cello are featured. The performance on the 19th is at the Trinity Center in Center City, Philadelphia, on the 20th at Swarthmore College.

– March 22 – the Philadelphia chapter of the American Composers Forum presents a webcast interview with George Crumb at 7 PM. Audio trailer here.

– March 29 – Penn Contemporary Music presents violinist Maria Bachman and pianist Jon Klibonoff at Penn’s Amado Recital Hall in Irvine Auditorium, 34th and Spruce Street. Program includes Glass: Sonata No. 1; Paul Moravec: Three Pieces; George Rochberg: Sonata; and the first performance of a new work by Penn faculty composer Jay Reise, The Flight of the Red Sea Swallow. The Glass and Moravec works are Philadelphia premieres. The late George Rochberg was, of course, a long-time Penn faculty member, and he wrote his sonata for Bachman.

– April 12 – looking a little ahead, the Curtis Symphony Orchestra will perform Messiaen’s Turangalila Symphony at the Kimmel Center, Christoph Eschenbach conducting, with Di Wu, piano and Thomas Bloch, ondes Martenot.