“… songs that elegantly combine personal fervor and worldly sophistication” (on “From a Book of Hours”) —Corinna da Fonseca-Wollheim, New York Times

“… James Primosch’s gorgeous ‘Dark the Star’… Set to texts by Rainer Maria Rilke, Susan Stewart and the Book of Psalms… it featured a brooding opening section, soaring and expressive vocal lines and creatively scored, beautiful instrumental writing.” Vivien Schweizer, New York Times

“… balm for the soul and food for thought.” —Christian Carey, Musical America

“Primosch’s text-setting instincts are seemingly unerring: his vocal lines always convey the words authentically and honestly, while the instrumental accompaniment provides added depth and drama…” —Joshua Rosenblum, Opera News

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Recent CD from Bridge Records


A CD devoted to music for voice and ensemble has been released by Bridge RecordsSusan Narucki and William Sharp are the soloists; Christopher Kendall conducts the 21st Century Consort. It’s available at Amazon and at Arkiv Music.

“He cares very deeply about the words… airy, thoughtful, and challenging, as any real sacred endeavor should be.” —Stephen Ritter, Audiophile Audition

“These songs are unfailingly compelling, whether the musical language is complex or seemingly simple… Christopher Kendall skillfully and sensitively leads the 21st Century Consort, which provides superb accompaniment.” —Joshua Rosenblum, Opera News

“…the music is eclectic, as there are many influences: plainchant, expressionism and folk songs are a few. Yet this is an integrated eclecticism, where the whole is much greater than the sum of its parts, and all is formed into a widely (this is important) expressive language, one that has a basis in tonal relationships, but that can be abundantly clear or mysterious…The pacing is elegant, movements are never too long or over stay their material, and the balancing of movements is delicate and done with assurance. The music… doesn’t strive always to be in a holy space, but instead to describe it and give it a human response. In this way Primosch is able to take us to, be in the presence of, and then take us out of, sacred time and space, an attribute which is at the center of the Western musical art form.” —Daniel Asia, Huffington Post

Recent CD from Albany Records


The new album Vocalisms includes ten of my songs for soprano and piano: Waltzing the Spheres, Shadow Memory, Three Folk Hymns, and the five songs that make up the cycle Holy the Firm. Soprano Mary Mackenzie and pianist Heidi Louise Williams are featured on this two-disc set that also includes music by Ned Rorem, John Harbison, and Daniel Crozier. Read a review from blogger Greg Hettmansberger here.

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Upcoming Performances

February 9, 2020: “Kyrie” and “Gloria”
from Mass for the Day of St. Thomas Didymus
Emmanuel Music
Ryan Turner, conductor
Emmanuel Church
Boston, MA

February 13, 2020: From Psalm 116
Mario Diaz Moresco, baritone
Michael Barrett, piano
New York Festival of Song
DiMenna Center
New York, NY

February 16, 2020: “Credo”
from Mass for the Day of St. Thomas Didymus
Emmanuel Music
Ryan Turner, conductor
Emmanuel Church
Boston, MA

February 22, 2020: Variations on a Hymn Tune
University of Pennsylvania Orchestra
Thomas Hong, conductor
Irvine Auditorium
University of Pennsylvania
Philadelphia, PA

February 23, 2020: “Sanctus” and “Agnus Dei”
from Mass for the Day of St. Thomas Didymus
Emmanuel Music
Ryan Turner, conductor
Emmanuel Church
Boston, MA

+ more upcoming and recent performances

Current Projects

—a new choral work on a commission awarded by the Riemenschneider Bach Institute at Baldwin-Wallace University in honor of the Institute’s 50th anniversary. To be premiered in spring of 2020. [UPDATE: premiere postponed due the Coronavirus crisis. The hope is to reschedule premiere for fall 2020]

—two new pieces for live instrumentalist and electronic sound: one for flutist Emma Resmini, and one for saxophonist Matt Levy. To be premiered in the 2020-2021 season.

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