“… songs that elegantly combine personal fervor and worldly sophistication” (on “From a Book of Hours”) —Corinna da Fonseca-Wollheim, New York Times

“… James Primosch’s gorgeous ‘Dark the Star’… Set to texts by Rainer Maria Rilke, Susan Stewart and the Book of Psalms… it featured a brooding opening section, soaring and expressive vocal lines and creatively scored, beautiful instrumental writing.” Vivien Schweizer, New York Times

“… balm for the soul and food for thought.” —Christian Carey, Musical America

“Primosch’s text-setting instincts are seemingly unerring: his vocal lines always convey the words authentically and honestly, while the instrumental accompaniment provides added depth and drama…” —Joshua Rosenblum, Opera News

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Recent CD from Bridge Records


A CD devoted to music for voice and ensemble has been released by Bridge RecordsSusan Narucki and William Sharp are the soloists; Christopher Kendall conducts the 21st Century Consort. It’s available at Amazon and at Arkiv Music.

“He cares very deeply about the words… airy, thoughtful, and challenging, as any real sacred endeavor should be.” —Stephen Ritter, Audiophile Audition

“These songs are unfailingly compelling, whether the musical language is complex or seemingly simple… Christopher Kendall skillfully and sensitively leads the 21st Century Consort, which provides superb accompaniment.” —Joshua Rosenblum, Opera News

“…the music is eclectic, as there are many influences: plainchant, expressionism and folk songs are a few. Yet this is an integrated eclecticism, where the whole is much greater than the sum of its parts, and all is formed into a widely (this is important) expressive language, one that has a basis in tonal relationships, but that can be abundantly clear or mysterious…The pacing is elegant, movements are never too long or over stay their material, and the balancing of movements is delicate and done with assurance. The music… doesn’t strive always to be in a holy space, but instead to describe it and give it a human response. In this way Primosch is able to take us to, be in the presence of, and then take us out of, sacred time and space, an attribute which is at the center of the Western musical art form.” —Daniel Asia, Huffington Post

Just Released CD from Albany Records


The new album Vocalisms includes ten of my songs for soprano and piano: Waltzing the Spheres, Shadow Memory, Three Folk Hymns, and the five songs that make up the cycle Holy the Firm. Soprano Mary Mackenzie and pianist Heidi Louise Williams are featured on this two-disc set that also includes music by Ned Rorem, John Harbison, and Daniel Crozier.

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Upcoming Performances

October 15, 2018: Two Sketches
Temple University New Music Ensemble
Jan Krzywicki, conductor
Presser Hall, Klein Recital Hall
Temple University
Philadelphia, PA

October 27, 2018: Carthage (premiere)
The Crossing
Donald Nally, conductor
Chestnut Hill Presbyterian Church
Philadelphia, PA

November 2: “The Ladder of Divine Ascent” and “Cinder” from Holy the Firm
Jamie Jordan, soprano
Daniel Scholsberg, piano
Festival of New American Music
Sacramento State University
Sacramento, CA

November 10, 2018: “Cinder” from Holy the Firm; Bedtime
Suzanne DuPlantis, mezzo-soprano
Laura Ward, piano
Lyric Fest
Chestnut Hill Presbyterian Church
Philadelphia, PA

November 11, 2018: Three Folk Hymns; Shadow Memory
Mary Mackenzie, soprano
Heidi Louise Williams, piano
First Church
Boston, MA

November 11, 2018: “Cinder” from Holy the Firm; Bedtime
Suzanne DuPlantis, mezzo-soprano
Laura Ward, piano
Lyric Fest
The Academy of Vocal Arts
Philadelphia, PA

December 1, 2018: “Every Day Is A God” from Holy the Firm
Kristina Bachrach, soprano
Daniel Schlosberg, piano
Marc A. Scorca Hall
National Opera Center

+ more upcoming and recent performances

In-Progress Projects

—a choral setting of an excerpt from the novel “Housekeeping” by Marilynne Robinson, to be premiered by The Crossing on October 27, 2018, in Philadelphia.

—a new work for woodwind quintet, commissioned by the Philadelphia Chamber Music Society and to be premiered by Imani Winds on February 15, 2019.

—a new song on a text by Walt Whitman, commissioned by Lyric Fest with first performances set for April 6 and 7, 2019.


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