Max Reger: Music for Clarinet and Piano. Alan R. Kay, clarinet; Jon Klibonoff, piano. Bridge Records 9461
Reger is a composer many people love to hate – the pieces are said to be too long, the harmony too wanderingly chromatic. (Not everybody; Rudolf Serkin was a fan.) But the two clarinet sonatas of Op. 49 are only about 20 minutes long each, and with a bit of patient listening, the harmonic labyrinths of this late romantic music become less forbidding. Along with Reger’s slightly longer sonata Op. 107, they deserve to be heard much more frequently as alternatives to the Brahms sonatas on clarinet recitals. The three sonatas plus a couple of very brief character pieces make up this wonderfully performed disc, notable for the sheer beauty of sound achieved by both players.
– March 18 – soprano Mary MacKenzie (of SongFusion) performs with Shuffle Concert this Friday, March 18 at Baruch College. It’s a nice idea – the audience picks the program on the spot!
-March 19 and 20 – Orchestra 2001 plays Hindemith, Berio and Roberto Sierra. Julianne Baird, soprano; Marcantonio Barone, piano, Lori Barnett, cello are featured. The performance on the 19th is at the Trinity Center in Center City, Philadelphia, on the 20th at Swarthmore College.
– March 22 – the Philadelphia chapter of the American Composers Forum presents a webcast interview with George Crumb at 7 PM. Audio trailer here.
– March 29 – Penn Contemporary Music presents violinist Maria Bachman and pianist Jon Klibonoff at Penn’s Amado Recital Hall in Irvine Auditorium, 34th and Spruce Street. Program includes Glass: Sonata No. 1; Paul Moravec: Three Pieces; George Rochberg: Sonata; and the first performance of a new work by Penn faculty composer Jay Reise, The Flight of the Red Sea Swallow. The Glass and Moravec works are Philadelphia premieres. The late George Rochberg was, of course, a long-time Penn faculty member, and he wrote his sonata for Bachman.
– April 12 – looking a little ahead, the Curtis Symphony Orchestra will perform Messiaen’s Turangalila Symphony at the Kimmel Center, Christoph Eschenbach conducting, with Di Wu, piano and Thomas Bloch, ondes Martenot.