Descent/Return is coming

Sometimes not much is happening, but suddenly when things do happen they come in clumps. I’ve seen it with performances that cluster together, with empty weeks before and after. And now I have two CDs coming out a week apart.

I wrote previously about Carthage, my album of choral music with The Crossing; here is another record with my vocal music – this time for solo voice and piano, and alongside solo piano music. On the Albany label, the release date is May 15. Order the album at the Albany website here. I am pleased to share the disc with my teacher, mentor, and friend,  John Harbison. I first met John when I studied with him at Tanglewood, back in 1984, and we have been in close contact over the years. It was John who put me in touch with Lucy Fitz Gibbon and Ryan MacEvoy McCullough, the married couple who recorded this program about two years ago in Barnes Hall at Cornell University. Ryan himself edited the record, with the final touches applied by George Blood, with whom I have been fortunate to work on several of my projects.

The title piece is a pair of songs from my cycle A Sibyl, a Fromm commission for Collage New Music, which was premiered by them with Mary Mackenzie, soprano, in 2017. Susan Stewart wrote the poems specifically for this project. The descent and return in the title refers to Aeneas’s visit to the underworld, and the second song speaks of brambles and a sky mirrored in the water. Given those images, a photo that Lucy took some time ago, before this project, turned out to be the perfect cover picture.

We mixed vocal and piano solo pieces in ordering the program. The album opens with John’s cycle on Michael Fried poems, Simple Daylight. Originally written for Dawn Upshaw and recorded by her for a now out-of-print Nonesuch release with Alan Feinberg at the piano, our recording returns the piece to the active catalog. My set of five piano preludes follows, Pure Contraption, Absolute Gift. Ryan was one of the co-commissioners of the piece.*  You can read about this set here, and find it in the Theodore Presser catalog here. After the title work, Ryan plays a major piece by John, his Piano Sonata No. 2, written for the brilliant Robert Levin. The album closes with three independent songs of mine: The Old Astronomer, The Pitcher, and Who Do You Say That I Am? These set texts by Sarah Wiliams, Robert Francis, and Kathleen Norris, respectively.

Lucy and Ryan meet all the varied challenges of this program with passion and precision, with beauty of sound, and with complete unanimity in the vocal works. I am very grateful to them and to all who worked on this project.

*) This is the second recording of the piece, there is also a fine performance by Youmee Kim on a Centaur disc.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.