– something interesting to me in the 1949 chart that accompanies this article is the listing of records in the “highbrow” row: “Bach and before, Ives and after”. I agree that this captures a certain sensibility, but I would never have guessed Ives would be a marker at that time. Stravinsky or Schoenberg or Bartok (records of music by the latter two are depicted in the chart), but Ives in 1949? True, the Concord had premiered in 1939, the Pulitzer was awarded in 1947. So maybe these brought him enough recognition to be cited in a chart of this kind? I don’t know what the Ives discography looked like at that moment, maybe there were more records of his music in 1949 than I would have thought.
– Hayes Biggs has a nice post on Mario Davidovsky and the Composers Conference here.