Stephen Hough writes here about some interesting programs he has devised for a Wigmore Hall series – the pattern of piano solo, string quartet, piano quintet is simple and brilliant, and I was pleased to see the diversity of the American program he has planned – Feldman, Carter, Lieberman. I tried and failed to comment on the post, but couldn’t get it to work, despite registering a Telegraph account. So I will say here what I planned to say there – that Americans have served the genre of the piano quintet well, with significant pieces by Wuorinen, Rochberg and Harbison, in addition to pieces by two of the composers already on Hough’s program – Carter and Feldman. (It’s a crime that the recording of the Rochberg by the Concord and Alan Marks is out of print.) It’s a genre dear to my heart, having had a wonderful time playing the Brahms with the Cassatt Quartet a few years ago, as well as playing and recording my own quintet with the Cavani and later, at Alice Tully, with the Miami.
LifeMusic III – Ying Quartet (Dorian). Strong works by Sebastian Currier, Pierre Jalbert, Paul Moravec, and Lowell Liebermann in polished and passionate performances. The Currier is of special interest as he is emerging as an important voice in the use of electronic media, as in Next Atlantis on this disc.
Beethoven: Complete Piano Sonatas – Richard Goode (Nonesuch). I recently returned to this set that was issued several years ago because I am starting to work on a new piano piece and have been feeding my ear with standard repertoire. I believe Goode was the first American to record the entire Beethoven sonata cycle. I love the sheer beauty of piano sound of these recordings – beautiful for the variety of colors Goode can produce, from luscious to crisp and million points in between, beautiful for the warm recording sound. I learn more about these sonatas every time I listen to Goode play them.
The Mind’s Eye – Oliver Sacks. The most recent collection of case studies by the neurologist and geographer of the human brain’s mysteries. The longest piece here is about the patient Sacks knows best – himself – a journal of notes kept during his struggles caused by a cancerous tumor on his eye, and the partial loss of sight that resulted.