Showing Up

Do the Math affirms the old principal that a goodly portion of life is about showing up. Here are a few things at which you may show up:

– I’ll be introducing a talk by George Lewis at my day job tomorrow, Sept. 12, 5:15 in the Music Building on the Penn campus. It feels a little like I am introducing a panel discussion – we will be hearing from a trombonist of historic important with a huge discography; a pioneer of electronic music, particularly in live and improvised contexts; and a musicologist who wrote an important history of the AACM.

Here is George Lewis speaking prior to a program of his music at Columbia’s Miller Theatre in 2012:

– the first of two all-Harbison Songfusion programs is this Friday in NYC. My friend Mary Mackenzie will be doing Simple Daylight, John’s emotionally devastating and impeccably crafted song cycle on Michael Fried texts, written for and recorded by Dawn Upshaw. The program includes instrumental works as well as vocal; the players include Ben Fingland, who gave that fine performance of my clarinet concerto last season.

– Judith Gordon, who premiered my piano consortium commission last spring, will take the piece out for another spin later this month. She will include Pure Contraption, Absolute Gift on a Sage Chamber Music Society concert, Sunday, September 29 at 4. The program is free, and will take place at Sweeney Concert Hall on the Smith College campus. More soon on performances of my music this coming season – for now click on the “performances” tab above.

Coming Attractions – 2011-2012

– Go here for a press release on the upcoming Miller Theater season, including a massive James Dillon 3-night extravaganza and Composer Portraits including John Zorn and George Lewis.

– the Orchestra 2001 website lists three programs for next year, with Boulez, Adams, Pärt, Andriessen, and a Crumb premiere – the seventh book in his remarkable American Songbook series.

CityMusic Cleveland offers 24 free concerts next season.

Network for New Music’s focus is on what they are calling Word Music, with big pieces by Lewis Spratlan and Matthew Greenbaum, and collaborations including one with The Crossing.