Thank you, Richard Wernick

wernick-richard_2009credit-adamleefNext Thursday, April 18, is the Philadelphia Chamber Music Society‘s concert in honor of Richard Wernick, featuring music by four of his former pupils:

Daedalus Quartet
Trio Cavatina
Burchard Tang, viola
Elizabeth Hainen, harp
Thursday, April 18, 2013, 7:30 pm
Settlement Music School (Queen Street)

program:
Melinda Wagner (Pulitzer Prize, 1999): Pan Journal
James Primosch (current Penn faculty): Quartet No. 3
Yinam Leef (President, Rubin Academy, Jerusalem): Quartet No. 2
Philip Maneval (Executive Director, Philadelphia Chamber Music Society): Quartet in C-sharp, Op. 50

My third quartet was commissioned by the Philadelphia Chamber Music Society, and premiered by the Ying Quartet in 1999. Here is a program listing and note on the piece:


String Quartet No. 3 (1999)
I. Theme and Variations
Theme: Largo
Var. 1: Andante Moderato
Var. 2: Allegretto Grazioso
Var. 3: Vivace
Var. 4: Prestissimo
II. Fantasia: Allegro Ansioso
Var. 5: Adagio
III. Finale: Vivace, Poco Scherzando
Coda: Largo

program note

After writing a series of pieces that either set texts or relied on pre-existing melodies (old sacred tunes) as compositional resources, I set out to create a more autonomous, abstract world in my Quartet No. 3. My efforts yielded a somewhat unusual formal scheme: a theme and variations set is first interrupted by an anxious (“ansioso”) and expressionistic Fantasia; then resumes for a single variation, infiltrated by the gestures of the Fantasia. A viola cadenza follows, introducing a rondo-like finale. This attempt to cap the piece in a playful spirit is surprised by another reprise of the slow variation theme, this time in a simple unison statement.  The entire sequence plays without pauses and runs about 20 minutes.

Philip Maneval at PCMS requested that each of the composers write a note on their experience working with Dick as a student at Penn. Here is my note:

Some teachers of composition make it easier for the student to compose; some make it harder. Richard Wernick made it harder, and I am grateful that he did. Dick encouraged me to think deeply about fundamental musical issues, to work at making pitches truly matter, to hold myself to the toughest standards, to avoid simplistic solutions. Striving in his own composing for similar goals, he earned the right to be a kind of biblical prophet, issuing a radically uncompromising call to the highest artistic ideals. Thank you, Dick, for continuing to strive, for clinging to your vision of what a composer can be, for enriching us all with music of substance and expressive power.

That’s Dick in the photo above, taken by Yinam Leef’s son, Adam. It could be Dick the magician, conjuring up a new work – or sending it off into the world, in flight.

4 thoughts on “Thank you, Richard Wernick

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