Just got word that Meredith Lustig will be the soprano for the New York Festival of Song performance of my Waltzing the Spheres this coming Tuesday, Feb. 10 in NYC. You can find samples of her work at her SoundCloud page; from what I hear there, it sounds like this is going to be a fantastic performance.
— I got word that my Waltzing the Spheres has been selected for the New York Festival of Song program I wrote about earlier. Although I wrote about hoping for the premiere of my new Susan Orlean setting, Waltzing will be a NYC premiere, and there is another possibility developing for the premiere of the Orlean piece – so it is working out nicely.
— wonderful program by the Gamut Ensemble presented by the Philadelphia Chamber Music Society Wednesday night. Two Bach cantatas, plus some arias, with Sarah Shafer, soprano, and Thomas Meglioranza, baritone, both sounding superb.
Here is Julia Neumann, soprano, with the J. S. Bach Foundation of St. Gallen, directed by Rudolf Lutz, doing one of the arias from BWV 57, heard at the Gamut concert.
Happy to see the NY Times mention my participation in the February 10 concert by New York Festival of Song. The program will feature excerpts from Paul Moravec’s opera-in-progress on Stephen King’s novel “The Shining”, along with music by Chris Theofanidis and Paola Prestini. Not sure what they are planning to include of mine; I’m hoping it will include the little song I did on a Susan Orlean text, which would be a premiere. But I’ll be grateful for whatever they program – NYFOS concerts are consistently fine.
I’ve recently updated the performances page. Some new items:
– New York Festival of Song plans to include something of mine on its February 10 program.
– the “invention” that I am writing for Dolce Suono Ensemble to premiere in January has become a playful fantasy on the well-known Badinerie from the Bach 2nd Suite – the working title for this flute duet is now Badinerie Squared.
– The Philadelphia Chamber Music Society has commissioned a new work for violin and piano. This will be a big piece, sonata-like in dimensions, if not actually called a sonata. The performers will be Tai Murray and Anton Nel. These are formidable artists, and I count myself lucky to be writing for them. The premiere has been set for February 3, 2016, at the American Philosophical Society in Philadelphia. The image at left is the cover from Ms. Murray’s disc surveying American works.