Advent Miscellany

Darn it, it’s not Christmas until it’s Christmas. Don’t tell me it’s the “Christmas Season”. It’s Advent, and it’s a shame to lose this beautiful time for quiet contemplation.

There, having gotten my bit of Bah, Humbug out of my system, I can take a break from working on new pieces for the Imani Winds and for Lyric Fest to offer a brief list of miscellaneous items:

  • Thank you to Suzanne DuPlantis and Laura Ward for the intensely touching performances of my “Cinder” and “Bedtime” last month as part of a Lyric Fest program. “Cinder”, to a Susan Stewart text, is the most often excerpted piece from Holy the Firm, while “Bedtime” is an independent item, a Denise Levertov setting. Suzanne is an uncannily charismatic performer who connects strongly with listeners, and Laura has no limitations at the piano.
  • Thanks as well to Kristina Bachrach and Daniel Schlosberg for their powerful performance of my “Every Day is a God” (also from Holy the Firm) earlier this month. This was part of the celebration marking the anthology of art songs for soprano and piano being issued by New Music Shelf. Thanks as well to the curator for the collection, Laura Strickling for including me in the volume. The entire Holy the Firm cycle is available from the Theodore Presser Company.
  • I’ve received word that my work for soprano and six instruments, A Sibyl, also on texts by Susan Stewart, will be performed at the Florida State University New Music Festival which runs January 31 through February 2. Marcia Porter will be the soloist, and Alexander Jiménez will conduct.
  • Recent listening has included:
    • The complete Mozart piano sonatas with Mitsuko Uchida on Phillips. What can I say, I adore her sound, her phrasing, the airborne joy of her playing. More of these sonatas are worth programming than the 4 or 5 that are commonly done.
    • Saxophone Colossus – Sonny Rollins. One of the supreme classics, of course. I do wish Tommy Flanagan was more forward in the mix. “Blue 7” famously elicited a Gunther Schuller analysis, included in this volume.
    • Tiptoe Tapdance – Hank Jones. Oh, for some small fraction of the harmonic wisdom on display in this solo album, the imagination, the fluency. I hear hints of Teddy Wilson at times. Jones’s version of “It’s Me Oh Lord” included here was reprised on his beautiful album with Charlie Haden, Steal Away.
    • Faure – the Nocturnes – Paul Crossley. CRD Records. Superb playing, but I just don’t get these pieces. The harmony is sometimes conventional, but often manages to be strange yet boring. The rhythmic stasis doesn’t help, inducing a state of claustrophobia. Friends tell me this is great stuff; I will give it another try at some point.
  • A blessed Christmas to all – see you in the New Year.

Kristina Bachrach sings “Every Day is a God”

This Saturday, Dec. 1, at 7 pm, Kristina Bachrach will sing one of the songs that makes up my cycle Holy the Firm as part of a program celebrating the launch of New Music Shelf’s anthology of songs for soprano and piano. My contribution to the anthology of 20 songs by as many composers is “Every Day is a God”, which sets a text by Annie Dillard, an excerpt from the book whose title I borrowed for my cycle. Daniel Schlosberg will be the pianist. It’s a weird coincidence, but Daniel played two other songs from the cycle with soprano Jamie Jordan at the Sacramento State Festival of New American Music earlier this month. Jamie will also be performing on Friday’s concert. New Music Shelf’s website is being worked on at the moment, it appears; I will come back to this post with a link when it is functional. However, you can reserve tickets by writing to:  newmusicshelf@gmail.com.