I just got in from the Orchestra 2001 performance of George Crumb’s Music for a Summer Evening. Nearly 41 years ago to the day, James Freeman, Gilbert Kalish, Richard Fitz and Ray DesRoches gave the first performance of the piece for the opening of Lang Hall at Swarthmore College, and tonight Freeman and Kalish were reunited to perform the work, alongside percussionists William Kerrigan and David Nelson. This is one of Crumb’s most successful pieces in which the expanded piano idiom he developed in the two books of Makrokosmos solo pieces is utilized for a work of epic scale. The finale of the piece, “Music of the Starry Night”, is deeply moving, orchestral in conception and dazzling at its climax with ecstatic layerings of ringing sound.
The performance was very fine, as one would expect from these musicians, though I wish the piano amplification was stronger. After the last quiet notes died away, the members of the ensemble and the audience kept silent for a remarkably long time – no one wanted the moment to end. Finally some called out “Bravo” and we were released back into daily life.
Here is the setup before the concert, showing the glass wall at the back of the Lang stage:
and another view from the side:
Note the crotales on the timpano head, ready for the gliss effect at the end of the first movement:
Gil Kalish, Jim Freeman, George Crumb and Crumb expert Steve Bruns (L to R) at the pre-concert chat:
the ensemble about to start the 4th movement (Jim Freeman has his kalimba at the ready, Gil Kalish his guiero):
time for a bow (George has his hand on David Nelson’s shoulder, then Bill Kerrigan to Dave’s left):
There was, Lord help us, Crumb Cake after the show – imprinted with a facsimile of the score of the last movement! (when cutting a slice I pointed out the George that I had decided to make a cut in his score):
And here I am with my teacher, colleague, friend (sorry about the blur):