Well, yes, go to church this weekend, but what I mean is come hear The Crossing give the premiere of my Mass for the Day of St. Thomas Didymus. More info here. A snapshot from the dress rehearsal last night gives a hint of how high the ceiling is in The Icebox.
The Crossing rehearsed my Mass for the Day of St. Thomas Didymus for the first time in The Icebox at Crane Arts yesterday. The space is a huge, very high-ceilinged plain white rectangle that was, so I am told, a meat locker. (Why on earth did a meat locker need to be so big, especially so tall? Were they storing cuts of dinosaur meat? Godzilla fillets?) The room is unusually resonant; cut off a loud chord, and you will still be listening to it 6 or 7 seconds later. It takes a little getting used to when you first hear the choir in there, especially if the music is something other than slow. Crossing Music Director Donald Nally wisely moderated the tempo in the faster portions of my piece, and I think the unavoidable – and in some passages desirable – blurring of the sound will not be a problem. The separation of the two choirs in my piece worked well, with the quartet and main choir on either side of the room across the shallow dimension. I take it the audience will be between the two groups.
The musicianship of The Crossing’s members is quite extraordinary, and the many short solos in my piece are being beautifully handled. Donald Nally is a highly efficient, meticulous conductor whose sympathy for the piece is apparent at every moment. I’m deeply grateful for everyone’s efforts. I hope to see you at this Saturday’s performance: June 28, 7 pm, Crane Arts, 1400 N. American Street, Philadelphia.
A few informal shots from rehearsal:
– Lots happening for Stacy Garrop this month, including premiere performances by the SUNY Stony Brook Contemporary Chamber Players at Stony Brook (Nov. 10) and in NYC at Symphony Space (Nov. 11).
– Michael Gordon‘s remarkable Timber (written about previously here, with a link to video) will be played by Mantra Percussion at the Crane Arts Center in Philadelphia on Friday November 11 at 8:00. The evening-length work is scored for 6 2X4s – talk about Music for Pieces of Wood!
– Music of Stephen Hartke is featured on the next Cantata Singers concert, Friday. November 4. in Boston’s Jordan Hall. The sublime oboist Peggy Pearson is soloist.
The JACK string quartet is coming to the Icebox at Philadelphia’s Crane Arts Building to play a concert featuring music by Lachenmann, Julia Wolfe, and Gregory Spears, whose piece was inspired by his work as composer-in-residence at Buttonwood Psychiatric Hospital. The show will be at 8:00 pm on November 20. (JACKs at left.)