Peter Burwasser has reviewed “Descent/Return” for the Broad Street Review. He writes:
Primosch tends to work with a large stylistic toolbox. His vocal writing, as displayed on this album, certainly reflects this catholic manner. In addition to the Stewart settings, there are three short songs at the end of the program, including an homage to an old astronomer that includes sparkling impressionistic patterns on the upper end of the keyboard that suggest the starry night sky. There’s also a bouncy and fun musical take on the art of baseball pitching, and finally, a setting of “Who Do You Say That I Am” by Kathleen Norris that is full-blown post-Romantic, replete with a soaring, dramatic, Wagnerian vocal line and big, pealing piano chords that could have been written by Rachmaninoff…
Pure Contraption/Absolute Gift, a suite of five piano miniatures from Primosch, includes music inspired by poetry (specifically that of Stephen Crane and W.H. Auden). The pieces are, at turns, whimsical, dreamy, buoyant, and at all times, thoughtful.
Performances by the husband-and-wife team of Ryan MacEvoy McCullough and soprano Lucy Fitz Gibbon, who worked with both composers to realize this recording, are magnificent.
Read the whole thing here.