Matins in Boston, A Sibyl in Tallahassee

Two significant performances of my vocal music are coming up in the next several weeks:

  • The Cantata Singers are reviving my Matins later this month, a piece for oboe, strings and chorus that they co-commissioned along with Winsor Music 15 years ago. (This is just the second performance of the piece; here’s hoping somebody takes up the piece for its third performance sooner than 2033.) The fabulous Peggy Pearson, who has been a wonderful champion of my music, commissioning and performing my Oboe Quartet and Oboe Quintet, will be the soloist. I first got to know Peggy and her playing through her work with Emmanuel Music, with whom she masterfully plays the prominent oboe parts in the Bach cantatas performed at Emmanuel Church. Matins, which sets poems of Hopkins and Mary Oliver, will be heard at the New England Conservatory’s Jordan Hall, with David Hoose conducting, January 25 at 8 pm. I will give a pre-concert lecture on the whole program, which includes the Bartók Divertimento and the Pärt Te Deum, at 7 pm.
  • A Sibyl, my song cycle on texts written expressly for the project by Susan Stewart, will be on the first concert of the 2019 Florida State University Festival of New Music on January 31. Among the splendid musicians performing my piece are soprano soloist Marcia Porter, conductor Alexander Jiménez, Deborah Bish, clarinet; Nina Kim, violin; Evan Jones, cello;  Justin Ball, percussion; a flutist whose name I don’t yet know; and pianist Heidi Louise Williams, who is at the keyboard for the recent Albany cd featuring my music, Vocalisms, with Mary Mackenzie, soprano. It was Mary who was soloist in the premiere of A Sibyl, performed by Collage New Music and conducted by David Hoose – funny how threads of connection weave together in this business.

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