I mistakenly tweeted yesterday about the new work by my Penn colleague Anna Weesner as an oboe quartet, but it’s actually a quintet – string quartet and oboe. This is the piece of hers we will hear on the upcoming concert at Penn (this Friday, 3/24) with Peggy Pearson and the Daedalus Quartet – go here for more details on the concert. Read an interview with Anna at the Winsor Music website (in connection with the Boston performance of the piece on Sunday, 3/26). Here’s Anna’s program listing and note for the new quintet:
Love Progression: A Personal Essay
for oboe and string quartetThe personal essay strikes me as a mode for exploring a chosen topic in a way that might be equal parts reflective, studious and cheeky. By ‘love progression’ I mean to refer to one of the common four-chord progressions on which a million and a half pop songs are based. Because why not? Common currency, my currency, history’s currency. The mix of it. ( . . . or by ‘love progression’ did I mean the progression of love?)
The piece falls into six sections and is played without pause.
I. the flight
II. the timelessness
III. the questions
IV. the pop song
V. the mad scene
VI. the love coda–Anna Weesner
