Snow Day Miscellany

I have finished my Oboe Quintet for La Fenice (premiere June 9 at the Chesapeake Chamber Music Festival), so I have a moment to post about a few things on this snowy, icy day in Philadelphia.

– The performance of my Three Folk Hymns at UC San Diego by Susan Narucki and Donald Berman is coming up on March 15. More info here.

Peggy Pearson and members of the Daedalus Quartet will give the Philadelphia premiere of my Oboe Quartet in a concert at Penn on Friday, March 24th at 8. This happens in Rose Recital Hall in Fisher-Bennett Hall at 34th and Walnut. There will be a new piece by my Penn colleague Anna Weesner on the program as well. Preview the piece with the score here and audio here.

– In less happy news, the evaporation of classical music coverage at the New York Times continues.  The decline of the Times – what used to be called “the newspaper of record” –  is particularly distressing. The “moments” – highlights of the week’s events – that have been appearing in the Saturday edition are better than nothing, I guess, but “moments” are exactly what classical music is not about. The Times seems to aspire to be a guide to date night instead of reporting cultural news – the recent spring preview was pathetically sparse. Readers look to the Times for depth and breadth, but neither of those seems to be a priority now. I don’t subscribe to the Times for more white space around the articles and bigger pictures – more words, please! While coverage of major organization continues – so far, new productions at the Met are still covered, and the Philharmonic gets reviewed every week – smaller events, often the ones that involve new music, the kinds of thing that give New York’s musical life its rich texture, no longer have a presence in the paper. And let’s not get started on jazz coverage. The thinning out of content is happening in other parts of the paper – the editorial pages and pages 2 and 3 are now affected. Alex Ross is typically eloquent on the broader picture.

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