Jamie Jordan at Penn, “Alleluia” at Emmanuel

I am a bit frantic as I work to finish a quintet for oboe + piano quartet (requested by Peggy Pearson, to be premiered at the Chesapeake Chamber Music Festival on June 9), so there is only time for a brief post to say thank you for some recent performances. Jamie Jordan and Steven Beck gave a splendid recital at Penn last week, including excerpts from my Holy the Firm (read more about the program here). Here they are with George Crumb, whose Apparition was a concert highlight. (How it is that Steve read the oversize score for the Crumb off what appeared to be an iPad mini remains a mystery.)

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Holy the Firm was heard in its entirety later last week, as Katie O’Mara, Sarah Cooper, and Rebecca Achtenberg, all students from Westminster Choir College, collaborated with pianist J. J. Penna in a performance as part of the 2017 Art Song Festival at the College. I wasn’t able to attend, but J. J. is such a splendid pianist and admired coach that I am sure the performances were excellent.

On Sunday, Emmanuel Music did my Alleluia on a Ground as part of the weekly Eucharist at Emmanuel Church in Boston. I count myself very lucky to have an ongoing relationship (23 years!) with Emmanuel, with virtuosic performances of my motets in the context of a deeply welcoming community that knows how to listen thoughtfully thanks to decades of Bach cantata performances as an integral part of worship. Thank you to conductor Ryan Turner and all the singers, especially Lorraine Hunt Lieberson Fellow Sarah Yanovitch who was angelic in the little solo near the end of my piece, and spectacular in BWV 51 later in the service.

Rehearsing in the Emmanuel sanctuary:

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Emmanuel Music warming up before the service:

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And the cantata in full flight:

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