I have lately been demonstrating Robert Benchley’s observation about productivity in that I have a commission for a work for oboe and piano quartet, but instead I have been writing songs (click here and here) for which I do not have a commission. The latest is a setting of Christina Rossetti’s Sleeping at Last. I used some of the sketches for this song in my recent piece for saxophone quartet and piano, Stratigraphy, but it is more a matter of shared motifs and phrases, rather than the one being a strict transcription of the other. You can see a page from the piece on the score excerpts page, and like all the voice and piano songs there (except Cinder from Holy the Firm), it is available as a PDF directly from me: jamesprimosch at gmail dot com.
I think I have got this series of songs out of my system, and will now try to focus exclusively on the commission mentioned above, for oboist Peggy Pearson and her colleagues in the La Fenice ensemble.