Listening on the Road

IMG_1031I knew I would be spending a lot of time in the car for my trip to North Carolina this past November, so I brought a good-sized stack of CDs, more than I could possibly go through. Here the ones I got to:

Mahler: Symphony #9.  Columbia Symphony Orchestra, Bruno Walter, conductor. Decades after conducting the premiere, Walter recorded Mahler’s last completed symphony in a reading that is notable more for its serenity than its angst.

The Bad Plus Joshua Redman. This isn’t a trio plus soloist album, but an integrated whole, a quartet – true to the Bad Plus ideal of being a band. The material consists entirely of originals, with each member of the ensemble contributing.

Harbison: The Great Gatsby Suite; Darkbloom; Closer to My Own Life. Mary Mackenzie, soprano; Albany Symphony; David Alan Miller, conductor. I was there for the performance that preceded the recording of this music from Harbison’s opera, and found the Suite a compelling narrative in its own right. Darkbloom was inspired by Nabakov, while Closer to My Own Life sets texts by Alice Munro, with my friend and advocate Mary Mackenzie sounding radiant in her recorded debut as soloist.

Wagner: Tristan Und Isolde. Deborah Voigt; Thomas Moser; Petra Lang; Peter Weber; Robert Holl; Choir and Orchestra of the Vienna State Opera. Christian Thielemann, conductor. It won’t make you forget the Windgassen/Nilsson/Böhm version, but there is much to savor in this live recording. I was most impressed by Voigt and Lang, as well as the gorgeous orchestral playing.

Eric Chasalow: Are You Radioactive, Pal? There are many practitioners of electronic music but not so many great pieces. But Eric Chasalow’s work constitutes an exception to that rule because he is that rare combination: an artist with complete technical mastery of the medium who is also a first-class composer. Superb performances by Daniel Stepner, violin, and Philipp Stäudlin, saxophone, on pieces that combine live player with electronic sound; the remainder of the album is for fixed media alone.

Duke Ellington: Black, Brown and Beige. This is a 3-disc set of RCA recordings from 1944-46. One astonishing track after another, with compositional ingenuity and brilliant performances in full bloom. Besides excerpts from the title composition, the album includes The Perfume Suite and some remakes of earlier Ellington hits. Even the novelty numbers are a delight; who can resist Ray Nance on Otto, Make That Riff Staccato?

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