Mary Mackenzie, soprano, and Heidi Louise Williams, piano, gave a fabulous performance at Florida State University last Friday that featured a big chunk of my song catalog. The program included the sets Holy the Firm and Three Sacred Songs, plus the individual songs Waltzing the Spheres and Shadow Memory. They closed the program with my arrangement of How Can I Keep From Singin’? Mary was in dazzling form throughout, particularly in the big Holy the Firm cycle, with beautiful singing at the service of formidable emotional impact. She’s done the piece a number of times now, and I liked that she is getting more theatrical in the “mad scene” opening of the cycle’s last song, with its juxtapositions of dreaminess and terror. Heidi’s pianism was no less impressive. She played a Fazioli piano with a slightly glassy and sweet tone that could be clattery in less gifted hands. Heidi commanded complete control of balance, color and dynamics, not an easy thing on any instrument, but especially on the Fazioli.
In addition to my music, the program included John Harbison’s Vocalism: A Grand Aria for Soprano and Piano (that’s the composer’s subtitle) on a Whitman text. It is indeed grand: emotionally big-hearted, vibrantly textured. On a very different scale was John’s Seven Poems of Lorine Niedecker, a work premiered at this past summer’s Tanglewood Festival of Contemporary Music. The piece is a set of seven short songs bound together (played without pause) that can also be understood as one larger song. Mary and Heidi offered a lovely short song by Daniel Crozier as an encore.
The recital (along with the one the ladies gave at Southern Mississippi University earlier in the week) served as preparation for a CD recording including my music, set to take place next month. On the basis of the concert last week, it will be a remarkable document.
Here’s a post-concert shot, with Heidi on the left: