Rehearsing Shadow Memory

SongFest has gifted me with a couple of splendid young musicians to give the first performance of my new Susan Orlean song, Shadow Memory. I rehearsed with soprano Lisa Williamson (at left – photo by Brian Hatton) and pianist Rami Sarieddine on Wednesday up at Bard College, and it was immediately clear that they had the piece well in hand. We were able to work on relatively subtle details, little nuances of tempo and dynamics. It’s a simple song, but I think it will be affecting, especially with its beautiful text. Go here to read the essay where I found the text – I used just the last paragraph.

You always learn a few things about a piece and about your notation when you finally hear it tried out. For example, Rami took my notation (see below) to mean that he shouldn’t change the pedal in the first bar. The combination of my request for generous pedaling and the high C sustained in the upper register across the chord change suggested a single pedal for the whole measure. I asked him to change the pedal when the left hand chord changed, otherwise it was too blurry. I think I need to re-write this so that the high C terminates when the harmony changes, that will help make it clear that the pedal should change.

Go here for a page at the SongFest website on the June 3 concert that includes the Shadow Memory premiere. While you are there, look around at some of the other events – there is an astonishing array of talent on the faculty, and with a faculty like that the program attracts very gifted young performers.

Here are a couple of snapshots from my visit to Bard. The Bitó Music Conservatory Building where we rehearsed:

There is a suite of John Cage drawings in the lobby:

as well as a Joel Shapiro, elegant and playful in its balance of forms:

3 thoughts on “Rehearsing Shadow Memory”

Like this:

Related

3 thoughts on “Rehearsing Shadow Memory”

Leave a Reply Cancel reply