– Strauss: Ariadne auf Naxos. Voigt, Dessay, Mentzer. Margion, Gunn; Metropolitan Opera Orchestra, Levine. Virgin Classics DVD.
Amazing performances throughout, but I find it difficult to connect emotionally with the piece, despite the score’s great beauties. The peculiar juxtapositions of romance, myth, and comedy keep the listener at a distance, wondering how seriously to be taking all of this; I suppose seriously and not seriously, all at once. Yet there are touching moments: the passion of the young Composer as portrayed by Susanne Mentzer was especially striking. A small detail: I had never noticed before how when the Composer speaks of revealing the mysteries of life, the orchestra seems to be playing Erda’s leitmotif from The Ring. I imagine the score has other in-jokes that I have yet to pick up.
– Musical Composition in the Twentieth Century. Arnold Whittall. Oxford University Press.
As Eurocentric as one might expect from a British book (there is room for Robert Simpson and Vagn Holmboe but not for Crumb, Rochberg, Ashley, Shapey, etc.) and written in a style lacking the poetry and elegant concision of another historical survey I wrote about here. Yet, it was good to get some additional perspective on composers like Donatoni, Henze, and Nono whose work I’d like to know better. Some of the most interesting writing in the book is when Whittall is expressing skepticism about the work of composers like Copland, Schnittke, and Maxwell Davies.