— From his various blog posts about his forthcoming book on the Concord Sonata, It’s clear that Kyle Gann has written an extremely insightful, meaty book, a thorough study of this cornerstone piece. Given that, it is appalling to read about the B. S. he is having to endure at the hands of his pre-publication reviewers.
— I was happy to see three of my favorite composers – Harbison, Rochberg and Crumb – get some respect on this best-of-2014 CD list by George Grella (linked to by Alex Ross). I guess I must need more coffee, because at first I read this sentence:
I have mostly grudgingly admired Harbison’s composing, appreciating how his music was made without enjoying it…
as meaning John took no pleasure in it as he wrote it! (Totally my problem, not the author.) I guess some alienation from your own work – as well as some affection for it – is part of the mix for any composer. The new String Trio is fabulous, as Grella suggests, but I don’t agree that it is “surprisingly” good, as I have found John’s music similarly fine all along the way.
— Distressing news about Allan Kozinn here. Hard not to see this alongside the reduced number of classical listings in The New Yorker as a shrinking of the conversation about classical music in print.
James Primosch, composer 