Rochberg taught Reise; Reise taught Gill. So when pianist Jeremy Gill plays a concert with violist Peter Minkler at Penn this Wednesday, October 1, at 8 pm in Rose Recital Hall, and the program includes works by Rochberg, Reise, current Penn faculty member Anna Weesner, and Gill, well, that’s what the post title is about. Rose Recital Hall is in the Fisher-Bennett building at 34th and Walnut in Philadelphia – the concert is free.
Here are some comments by Jeremy:
“I met George Rochberg in 1995 at a summer composition program in Madison, Wisconsin. I was then an undergraduate at the Eastman School of Music, and Rochberg had already retired from a long teaching career at the University of Pennsylvania, where he built one of the finest composition programs in the country along with his colleagues George Crumb and Richard Wernick. I only had one private lesson with Rochberg that summer, but it was the single best lesson of my life, and I knew that he would remain a major figure in my development.
“When I came to Penn in 1996 to do a PhD in composition, I had the opportunity to continue our relationship, which soon blossomed into a true friendship (he and his wife, Gene, who is still alive and well at 94, were living in Newtown Square, a Main Line suburb of Philadelphia). Rochberg, though nearly 60 years my senior, always treated me like a colleague, introducing me to his acquaintances as his “young friend.” He continued to be a great mentor to me until his death in 2005, whereupon Gene asked me to edit a book he left unfinished for publication. A Dance of Polar Opposites came out in 2012, published by University of Rochester Press.
“The Viola Sonata that Baltimore Symphony violist Peter Minkler and I will perform on October 1 is one of the first pieces of Rochberg’s that I came to love. It is full of fire, pathos, and is formidably crafted: the work of a true master and one of the most important works in the viola/piano repertoire. Peter and I gave our first performance of the work at the Mansion at Strathmore in New Bethesda, MD last spring (after a private performance for Gene) and I’ve been dying to play it again since. Peter has been playing the sonata for about 30 years, and has made, in my opinion, the best commercial recording of the piece available (on the Centaur Records label, with pianist Lura Johnson). It is an honor to play this great work with him.”