Emmanuel Music will premiere my George Herbert setting The Call at this Sunday’s 10 am Emmanuel Church liturgy in Boston. You can read the text here; below is my brief program note on the piece:
Thirty years after setting George Herbert’s The Call in a folk style for use by the Catholic Campus Ministry at Columbia University, I have returned to the text with a setting for Emmanuel Church that retains some melodic elements of the first version.
While I usually treat a text in a linear manner from beginning to end, in this piece I have broken open Herbert’s tightly bound form by freely repeating and fragmenting the poem in two contrapuntal Fantasias based on musical motifs from the Chorales that frame the motet.
As was the case with seven previous motets, I gratefully offer The Call as a gift to the Emmanuel community. But this piece is dedicated to a particular member of that community, to John Harbison on his 75th birthday: admired composer, generous advocate, dear friend.