Wail – 2014 edition and more

I’m taking a break from working on my piece for this to let you know about some upcoming events. It will be a very busy few days at the end of this week. On Friday, January 24, Penn will offer its annual “Wail of the Voice!” program, featuring faculty and alumni composers. There will be music by current faculty Jay Reise, Anna Weesner, and myself, as well as alum Mike Fiday, performed by the Daedalus Quartet, flutist Michele Kelly and pianists Greg DeTurck, Matthew Bengtson, and myself. The concert will be in Rose Recital Hall, on the 4th floor of Fisher-Bennett Hall, found at 34th and Walnut on the Penn campus here in Philadelphia. The 8:00 pm concert will be preceded by a 7:00 pm pre-concert discussion, with Penn grad student Neil Crimes as moderator.

It will be my first time playing piano in a concert performance in quite a while (playing at church or in the classroom is a different matter). The Daedalus and I will offer the slow movement from my 1996 Piano Quintet, a set of variations on “Sometimes I Feel Like a Motherless Child”. As I remarked at rehearsal with the Daedalus, “you guys sound great, and my part is easy”, so this bodes well for a fine performance.

I’ll post the program notes for the Wail! concert during the course of this week. For now, let me point out the rest of my own busy weekend. After the concert at Penn I will take an overnight train to Boston, arriving for a Saturday morning rehearsal of my new setting of The Call, with Emmanuel Music and Ryan Turner conducting. That piece will receive its first performance at Emmanuel Church’s Sunday Eucharist, 10:00 am on January 26. On Sunday evening I will attend Christopher Oldfather’s performance of my consortium commission piano piece, Pure Contraption, Absolute Gift on a Collage New Music concert. It’s an 8:00 pm concert, 7:15 pre-concert chat, this at the Longy School in Cambridge. Between my two Sunday performances, I hope to attend Robert Levin’s piano recital at Harvard, featuring piano works by Wyner, Harbison, Türk, and Rands. And on Saturday afternoon (assuming I haven’t collapsed from lack of sleep on the train) I will meet with John Harbison to try out some of his Leonard Stein Anagrams for him, in preparation for my February 26 performance of them here in Philadelphia.

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