In anticipation of next Wednesday’s Wail of the Voice concert, here is my colleague Jay Reise‘s program note for his contribution to the concert, a work for saxophone and piano called Yellowstone Rhythms. It’s the first performance of the piece in this version.
Yellowstone Rhythms is in one movement and lasts about 15 minutes. It was inspired by the vivid and multi-faceted atmosphere of the dramatic and ever-changing landscape of Yellowstone National Park: variously hot and bright, cold and dark, filled with mysterious life and vibrant geological formations; sometimes agitated – even fomenting, and yet at other times seeming to exist in slow motion, evoking feelings of isolation and timelessness.
Yellowstone was originally composed for bassoon and piano and was premiered by Charles Ullery, principal bassoonist for the St. Paul Chamber Orchestra, at the Grand Teton Music Festival in Wyoming in 1995. Mr. Ullery has recorded the piece with pianist Marc-André Hamelin (Albany Records). Ullery also premiered a version for bassoon and 10 instruments with the Network for New Music in 2001. It was described at that time in the Philadelphia Inquirer as, “Nature in its most songful state.”
The version being presented this evening was written especially for this performance by Messrs. Lorber and Bengtson.
That’s a reference to Samuel Lorber, saxophone, and Matt Bengston, piano.
More about the concert in my next post.