Rainy Day (again) Miscellany

Posting has been sparse thanks to the day job, family duties, and attempts to compose. But here are a few items:

Mindy Wagner‘s Trombone Concerto is out on Bridge Records. This is an important release of music that truly deserves to be much more widely known. I hope to write more about this release soon.

Do the Math has posted what adds up to a small book on Bud Powell, with many transcriptions and plenty of commentary.

– Guitarist Dan Lippel plays Davidovksy, Carter, Dai Fujikura, Richard BelCastro and more at Delaware County Community College in Media, PA on Sunday, October 2 at 3:00

Curtis Opera Theater is presenting Miss Donnithorne’s Maggot by Peter Maxwell Davies with soprano Anna Davidson in the title role. It has been a while since I saw the superb Christine Schadeberg do the piece, but I recall it as quite a tour de force. A dramatic cantata of Handel completes the evening. Performances are October 6 through the 9th at 7:30 at the Curtis Institute.

– The only Pulitzer Prize winning composer to perform with both Miles Davis and Toscanini has written his autobiography, coming out next month.

Chopin and Liszt star in the webcomic Hark, a Vagrant. (Perhaps a companion to Strauss and Mahler at the movies.)

From the Reading Journal, #8

     ‘…and then,’ she was saying, ‘this first husband of hers used to come back at four o’clock in the morning and turn on the gramophone. As a regular thing. She told me herself.’
‘Some women think one has nothing better to do than to lie awake listening to anecdotes about their first husband,’ said Stringham. ‘Milly Andriadis was like that – no doubt still is – and I must say, if one were prepared to forgo one’s beauty sleep, one used to hear some remarkable things from her. Playing the gramophone is another matter. Your friend had a right to complain.’
‘That was what the judge thought,’ said Mrs Maclintick.
‘What used he to play?’ asked Priscilla.
‘Military marches,’ said Mrs Maclintick, ‘night after night. Not surprising the poor woman had to go into a home after getting her divorce.’
‘My mother would have liked that,’ said Stringham. ‘She adores watching troops march past. She always says going to reviews was the best part of being married to Piers Warrington.’
‘Not in the middle of the night,’ said Priscilla. ‘He might have chosen something quieter. Tales from Hoffman or Handel’s Cradle Song.’
‘Nonsense,’ said Moreland. ‘Aut Sousa aut Nihil has always been my motto in cases of that sort. Think if the man had played Hindemith. At least he wasn’t a highbrow.’
‘He was just another musical husband,’ said Mrs Maclintick fiercely.

-from Casanova’s Chinese Restaurant, the fifth of twelve novels that make up Anthony Powell’s A Dance to the Music of Time.

Lachenmann and Xavier Le Roy

An intriguing program presented by Bowerbird here in Philly this weekend: Xavier Le Roy is a choreographer interested in the relationship between not just music and movement, but specifically musical performance and movement. For this program he works with music by Lachenmann, performed by members of Klangforum Wien. The music alone, played by an important ensemble, makes this of interest.

Congrats, Kile!

After 30 years, Kile Smith is retiring from the Free Library of Philadelphia’s Fleisher Collection of Orchestral Music. It seemed like a good moment to listen again to Kile’s Vespers, the work he created for the Renaissance wind band Piffaro and Philadelphia’s The Crossing. In the piece, Kile draws gorgeous and endlessly varied harmonies out of a surprising limited array of pitches – the score doesn’t have a single accidental until the third movement. I know of no more successful piece for old instruments by a contemporary composer (I should know, I tried it myself.) My one quibble is that although it is intended as a Lutheran Vespers and the work is full of Lutheran chorale tunes, the pandiatonic idiom seems something that springs more from am English modal tradition, or even the diatonicism of Catholic chant, rather than the darker harmonic worlds of Schütz and Bach. No matter, the vocabulary serves the texts and the expressive intent beautifully.

By the way, Piffaro has fascinating video and more about their arsenal of instruments here.

Upcoming in Philly and Ohio

– Go here for info on Bowling Green State University’s 2011 New Music Festival. David Lang is the composer in residence, a Michael Gordon U.S. premiere, lots more.

-The Philadelphia Chamber Music Society’s season is announced here. Amazingly affordable, class AAA performers. Some interesting new and recent music – for example, the Juilliard playing the late Don Martino’s Quartet #5 on November 18.