The late George Perle will be the focus of a concert by the Da Capo Chamber Players at Merkin Concert Hall in NYC on January 26. Four Perle works will be heard, along with music by Paul Lansky (who worked with Perle on formalizing his theory of twelve-tone tonality), Leo Kraft (a colleague of Perle at Queens College) and Scriabin. Why Scriabin? Perle’s best known theoretical writing is on the Second Viennese School, especially Berg; Bartok; and to a lesser extent, Varese and Stravinsky. But Scriabin also drew his attention because the symmetrical structures in Scriabin’s music point toward the patterns that so fascinated him in those later composers.
If you don’t know Perle’s music, try Michael Boriskin’s disc of the piano music, or the two-disc retrospective on Bridge. Richard Goode’s recording for Nonesuch is still available as a download. (Would that Richard Goode was still playing new music!)
Update: Allan Kozinn’s review in the Times is here.